Your daughter is in the middle of a bitter divorce, and she has no one to turn to but you and the strangers in your elevator.

Columbia Records saw Terry Riley’s “In C,” now rereleased for his ninetieth birthday, as a perfect anthem for the psychedelic ...

In Ron Howard’s historical potboiler, an off-the-grid social experiment veers clumsily—but sometimes compellingly—into “Lord ...

The rebellious indie film studio A24 is brilliant at selling small, provocative films. Now it wants to sell blockbusters, too ...

Like the steam engine, electricity, and computers, generative artificial intelligence could take longer than expected to ...

Seymour have nothing on this century’s celebrity-penned picture books, slim volumes that have infiltrated bedroom bookshelves ...

We’re used to algorithms guiding our choices. When machines can effortlessly generate the content we consume, though, what’s ...

Read the issue » A24’s marketing team had noticed that the organization, which mounts protests in support of religious ...

The “entertainer” Kareem Rahma discusses Kamala Harris’s missed opportunity on his show, meeting Andrew Cuomo, and why ...

The writer’s new novel, “Will There Ever Be Another You,” is a singular account of losing her mind, body, and art to ...

On Thursday evening in Washington, D.C., the weird juxtapositions of life in this city, eleven days into the Trump ...

Patrick Drahi made a fortune through debt-fuelled telecommunications companies. Now he’s bringing his methods to the art ...