The Japanese graphic artist uses space and shape to conduct scenes that feel spiky, strong and, at times, nostalgic.

Inviting us to reconnect with the power of the natural world, issue 22 is all about “recognising what’s at stake”.

Embodied by her project Chaos Files, Composed Folders, Claire’s approach to graphic design questions (and subverts) ...

What should you do when a company asks for free ideas during an interview? Alex Bec offers advice on protecting your work and ...